Post Production Workflow is Essential for your Project

A common problem with independent films, is post-production workflow. A lot of independent filmmakers, who aren’t technically inclined, typically trust the people around them to take care of all the stuff for them. Many filmmakers end up failing miserably, to the point where their movies look horrible, they can’t get it finished, can’t get distribution, and unfortunately, they can’t get it sold. The reason being is because they didn’t figure out post-production workflow. In this article, we’re going to explain exactly what workflow is. Post production workflow understands the workflow in its completion, from the inception of production, to final delivery.

When you’re on set, you’re going to shoot on a camera. Let’s say you’re going to you’re going to shoot a movie that has a budget of say fifty thousand dollars. You’ve got a DP who has a brand-new RED Dragon 6k camera, and you shoot the whole movie on the Red Dragon. Unfortunately, you don’t have money for post-production, so you’re going to edit this on your laptop at home with your editing software. Because you’re doing this on a laptop, and your drives aren’t fast enough, you can’t really edit it correctly. As a matter of fact, you can’t even watch it. You can’t do anything with it. You’ve got this huge amount of footage on a format, that you really can’t do anything with. Now you’ve got to go hire an editor who can handle these files for you. Once they’re done editing your film, now you’ve got to send all your Red files and all of your EDL and a decision list, to a colorist to color your film. The reason being, honestly, a Red product without color grading is garbage. All your movies have to be color graded, or else you’re never going to be able to sell it. It has to have some sort of professional look to it.

You then send it over to a colorist, who has to be able to understand your Red camera. Let’s say you go to a guy who is trying to color grade this in Adobe or color grading this in Final Cut X or any other color systems. They all have to be able to talk to each other, regardless of whatever the color system is. You absolutely have to have a system that has the ability to handle 6 K files. He then has to send it to someone who can put all of the aspects together. If you hire someone, they can just draft out a workflow for you is beneficial. This will save you a lot of time. You actually should do this before you ever begin to shoot.

If you have a budget, you should hire them for the shoot and they’ll supervise this entire process. Here’s a great website to attain more information. Post-production workflow is essential towards completing a great film. There’s many sites where you can get vital information to ensure your film is don’t optimally. As my mother used to say, “If you do it right the first time, you won’t have to do it again”.